I think that you make a very good point about refugees and how they should be welcomed anywhere with open arms. Also, refugees should not be disregarded or looked down upon. These people have been through horrible atrocities, such as being targeted by extremist groups like ISIS and no longer have a place to call home. As humans, we need to treat refugees well and offer them comfort from the destruction of their homes or loss of loved ones.
They owe nothing to any man, they expect nothing from any man; they acquire the habit of always considering themselves as standing alone, and they are apt to imagine that their whole destiny is in their own hands.
Thus not only does democracy make every man forget his ancestors, but it hides his descendants and separates his contemporaries from him; it throws him back forever upon himself alone and threatens in the end to confine him entirely within the solitude of his own heart.
II, Second Book, No nation can now shut itself up from the surrounding world and trot round in the same old path of its fathers without interference.
The time was when such could be done. Long established customs of hurtful character could formerly fence themselves in, and do their evil work with social impunity. But a change has come over the affairs of mankind.
Intelligence is penetrating the darkest corners of the globe. It makes its pathway over and under the sea, as well as on the earth. Wind, steam, and lightning are its chartered agents. Oceans no longer divide, but link nations together.
From Boston to London is now a holiday excursion. Space is comparatively annihilated. Did or does democracy in America foster a sentiment and literature that nourishes solitude of the heart?
Or, as Douglass asserts, do the formative principles of the nation and the growing ability to cross and communicate across great distances give birth to greater freedom and broader bonds? With these paired voices, we hear the kinds of dialogue inherent in and fundamental to American literature and culture.
In this course, we will explore how diverse antebellum writers address lasting cultural tensions and how telling patterns emerge from their efforts.
We will consider literature, then, as a cultural and aesthetic artifact, attending to the interplay between historical context and artistic form. Required Texts Belasco and Johnson, eds.
Beginnings to2nd Ed.Danez Smith has little in common with Sullivan, but both are audacious formalists. Smith is a queer, HIV-positive African American, and blood is the central image of the book: blood as history (“history is what it is.
it knows what it did./bad dog. bad blood”) or blood . However, Danez Smith is a writer that you should read in chronological order. They keep getting better and better so it's not recommended that readers backtrack to older work but she read their work in the order that the work w There is no denying that Danez Smith has a way with words/5.
Use this calendar to find events organized or funded by the consortium and its programs.
To view a complete listing of campus events, click on the links to individual campus calendars: Reading and Q&A with poet Danez Smith. Hampshire College.
Sabino Osuna's Photographs of the Mexican Revolution. African Indigenous Spirituality in the U. February 19 - Frankie Reads - The Underground Railroad A Discussion of Resistance and Freedom (The Underground Railroad by Colson Whitehead and the tv .
Danez Smith is a black, queer American poet. They are the author of the poetry collection [insert] Boy, which won the Lambda Literary Award for Gay Poetry, and Don't Call Us Dead: Poems, a finalist for the National Book Award for poetry. Early life. Smith was born in St.
Paul, Minnesota and attended. The idea of travel as transformation is inherent to the culture of Kalamazoo College, which emphasizes links between the campus community and the global nexus of learning. Yet, travel, whether by choice or by necessity, whether across the world or across town, .